A dream becomes a circus poster; is she protesting or directing?
Cat and Mouse, 2013, oil on canvas, 16" x 20"
Notes by Bill Calhoun
July 08, 2013
Cat and Mouse
June 27, 2013
Day of the Dead
Emily has always loved the imagery from the Mexican Day of the Dead celebrations. This painting is based on a tiny woodcut that Emily had pinned up for years on the wall of ephemera in her studio.
If they weren't sitting, this handsome couple would qualify as a classic Emily pas de deux.
Day of the Dead, 2013, oil on canvas, 18" x 24" $1000
March 10, 2013
Alphonse and Gaston
I once went to dinner with Emily's grand-parents, rest their souls. In the middle of a chaotic meal, Emily's grandmother called to the waiter "Alphonse, Alphonse!" which seemed unlikely to be anyone's name in this Brooklyn Italian restaurant. Only much later did I realize that her mind, in searching for "Garçon," had stumbled across the names of a pair of cartoon characters from her youth.
Alphonse and Gaston, 2013, oil on canvas, 16" x 20" $900
December 31, 2011
Fruit Goddess
October 16, 2011
October 10, 2011
October 09, 2011
The Embrace
They embrace tenderly and a little wearily, as if having spent an entire night dancing.
The Embrace, 2011, oil on canvas, 18" x 24" $900
This is another in Emily's pas de deux collection. See here for these other examples.


October 02, 2011
The Farce
The story is all in the hands.
The Farce, 2011, oil on canvas, 18" x 24" $900
This painting is based on a much earlier illustration that was commissioned by The New Yorker many years ago. Sadly, they never published it, in spite of sending a private courier all the way from NYC to get the painting after they had lost the photo transparency.
Circus, 1992, oil on canvas, 20" x 25" $750
Sold
September 25, 2011
Snake Charmer
September 18, 2011
Carnival Tiger
Can you tell which one is the carnival tiger?
Carnival Tiger, 2011, oil on canvas, 18" x 24" $900
Emily has embarked on a new series of generally larger paintings, based on her love of the circus, commedia dell'arte, carnival, and minstrelsy. We'll call this series Carnival, and Everyone is Left-handed will be considered the first painting in this series.






