I'm tempted to say something about man vs. machine, but they look like they're having too much fun.Tour de Zède, 2013, oil on canvas, 16" x 20"
I've always wanted to do this - document the stages of one of Emily's paintings.
Emily has always loved the imagery from the Mexican Day of the Dead celebrations. This painting is based on a tiny woodcut that Emily had pinned up for years on the wall of ephemera in her studio.
In The Circus of Lost Dreams, Nin Andrews and Emily Lisker become a magical duet. The two share an insatiable, tender, and wry imagination. Their poems and paintings together are profound in their insights regarding power, male/female relationships, and spirituality.
In the second video by the same publisher for the journal PoetsArtists, The Dancers is paired with Emily's painting Trio. View the video here, or click on the image below.
And in case you didn't check out the first video, read all about it here.
I once went to dinner with Emily's grand-parents, rest their souls. In the middle of a chaotic meal, Emily's grandmother called to the waiter "Alphonse, Alphonse!" which seemed unlikely to be anyone's name in this Brooklyn Italian restaurant. Only much later did I realize that her mind, in searching for "Garçon," had stumbled across the names of a pair of cartoon characters from her youth.
This painting started its life, as do all of Emily's paintings, as a drawing. Unlike the current batch of paintings completed, or nearly so, this one has remained in its infancy. This happens - the drawing is so wonderful on its own that Emily does not want to disturb it. This one could stay this way for years, but I wanted to share it anyway, and give you a glimpse into how Emily paints.